5/27/2020 Pinback This Is A Pinback Cd Rar
Quote Instead of releasing a proper follow-up to 2004's indie rock hit Summer in Abaddon, San Diego's Pinback peruse their earlier catalog for a solid collection of B-sides, outtakes, and rarities entitled Nautical Antiques. For fans who have already shelled out the extra cash for some of their European-only tracks or for those who have heard these songs in concert, Nautical Antiques is a perfect reflection of Pinback's growing presence in the ever-changing indie rock circle. The listener won't even notice its scattered track listing either, for Pinback has never existed in one particular space and time. From the Ace Fu Internet download and the full-band version of 'Messenger' to other unreleased tracks such as the melancholic 'Water Run,' 'Avignon,' and the 'Concrete Seconds' demo, Nautical Antiques holds steady just as much as any proper album would. The limited-edition This Is a Pinback CD, which appeared on Cuttyshark in the States in 2000, didn't include the lilting piano measures of 'Versailles' or the raw acoustic guitars of 'Byzantine.'
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Here you can download this is a pinback cd Shared files found Uploaded on TraDownload and all major free file sharing websites like.
Lucky for fans, Nautical Antiques has 'em, on top of the now out-of-print Penelope EP. Not only is Nautical Antiques a solid filler between albums and a great slide show of years past, but it comes off like a brand-new Pinback record. Quote Although Summer in Abaddon is in keeping with the lush, bittersweet tenor of Pinback's previous work, the band's Touch & Go debut is much quieter and more reserved than the busy electronic indie pop of 2003's Offcell EP.
Instead, the band opts for a more organic, introspective sound that tends to put interesting productions and arrangements ahead of driving tempos or instantly catchy songwriting. Fortunately, this emphasis on delicate, cerebral pop pays off, albeit eventually: although tracks like the darkly lovely 'Sender' and '3X0' initially seem too atmospheric, they gradually reveal tightly structured melodic interplay that makes them more intriguing than they might be if they were more immediately engaging. Indeed, Summer in Abaddon might work best as background music that occasionally creeps up and surprises you with its musical and lyrical details. The album's pristine production and emphasis on acoustic and electric pianos adds to its subtle, sophisticated feel, particularly on the vaguely jazzy 'Bloods on Fire' and the softly poppy 'This Red Book.' Even the more immediate tracks, such as 'Non Photo Blue,' 'The Yellow Ones,' and 'Syracuse,' have a more polished, mysterious vibe than any of Pinback's previous work. The band does rock out, relatively, on the gently driven 'Fortress' and 'AFK,' which recalls Pinback's emo roots, but the album's most delicate moments are also its strongest.
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Summer in Abaddon is an album of small, but hardly insignificant pleasures, and it may be Pinback's finest work yet. Code: far as I know, these are all the bootlegs of Neutral Milk Hotel that exist. If anyone finds any others, please point me in the right direction. I sincerely apologize for bad tagging or bad filenames, I haven't really had the time to get around to sorting/tagging/verifying dates on this stuff yet.bulldawg982, there's no live performances of Three Peaches in any of these. There's a few where there's similar songs, but as far as I know and according to the 33 1/3 book on NMH, he never performed that song live (except once for family and friends.)Also, I apologize for the length of this post, but it had to be done. Quote from: Allmusic Once every decade or so, there'll be an album that will slip underneath the radar of mainstream audiences and submerge itself deep into obscurity. A few years will pass by and it will remerge on the underground cult circuit, waiting to be deemed a 'classic' by those who truly know what the word means.
Such an event is Anton Maiden. He's not just a musician and he's not just an institution - he is an event. An event that many performance artists could only imagine emulating at the finest points of their career. Armed with an Atari ST computer and deft knowledge of world capitals, Maiden fearlessly takes on 11 of Iron Maiden's classic songs and MIDIs the instrumentation to bold new territories, similar to the soundtrack of a Nintendo eight-bit video game. And his vocals? There are truly no words in any language that could possibly serve justice as to aptly describing the sheer dexterity and potency of his voice. It's almost as if he has invented new notes to be sung and has totally reinterpreted many of the more flaccid Iron Maiden tunes into bona fide powerhouse singalongs.
Fans of the band complained of Maiden's abstract take on the tracks, but a more sincere example of the power of music may not exist. These songs are tributes to a band who is hopelessly unhip, lovingly (and probably inadvertently) shaped into hipster anthems by a passionate Swedish teenager. But Anton Maiden is much more than an in-joke for the irony crowd.
Anton Maiden is a creature built from old Nintendo components and Circus magazine pull-out posters, a primitive slice of avant-garde thought applied to source material that can appeal to listeners who would never give John Zorn the time of day. This is one of the few examples of a novelty item transcending its own intent and becoming art. And hilarious art at that. One more time!thankyou everyone.!!!!!!!!!!!!!!
Amazing postage!!!!!!!!!!! Wow!!!when i have some time ill up Japanese Progressive HardCore JAZZ Aggressive Improvisation ROCK band NATSUMENthey just released something that should defiantly be heard.i know im new but i'de LOVE to see someone up projects related to Martin Gretschmannie.consolenotwist (pretty easy to find but worth a mention i seem to have completed this collection )13&godattwenger Dog 2-RemixesLadomat 100Four Tet,CaribouThe Only Blip Hop Record You Will Ever Need, Vol. 1Tied + Tickled TrioVillage Of SavoongaVarious - Neo Future Vol. 1Acid Pauli - NancyAcid Pauli - Gwar Is Not The AnswerToxic (12) - Railtracksimo hes a friggin geniuspeace.
Quote from: amg 'When you play pass the parcel with human body parts/Somebody might get head, but someone will get hurt.' Any debut EP that starts out with a couplet like that is immediately worth checking out, and Los Campesinos!' Sticking Fingers into Sockets more than lives up to its promise. That opening track, 'We Throw Parties, You Throw Knives,' is a blur of wordy verses broken up by a sweet-and-sour choral chorus that sounds like the Polyphonic Spree on a Broken Social Scene-style atmospheric downer. In fact, this seven-piece British band is signed to BSS' Arts and Crafts label and this EP was produced by that band's sonic mastermind, David Newfeld, which accounts for the extremely familiar medium-fi miasma of various unexpected instrumental touches and the occasional use of amplifier buzz and tape hiss as musical elements. Fundamentally, however, Los Campesinos!
Are considerably perkier and poppier than their Canadian mentors: plaintive, tuneful indie pop/rockers like 'Don't Tell Me to Do the Math(s)' and the brilliantly shambling 'Frontwards' (like if vintage Talulah Gosh had a guest violinist) are more instantly hooky than anything Broken Social Scene have everattempted, more along the lines of Guillemots or even an artsier version of the Arctic Monkeys. The EP's only real flaw is that at six songs in around 15 minutes, it's just way too short.
Quote from: allmusic On Know by Heart American Analog Set plugs along in their characteristic lo-fi manner, with hypnotic guitars, mellow basslines, and careful lyrics by Andrew Kenny. Its rolling melodic lines and subtle textures continue in the vein of their previous albums and in the direction taken by its predecessor, Golden Band. Know by Heart culminates with 'Aaron and Maria,' a foray into crystalline, driving-tongue-in-cheek platitudes. And songs like 'Punk as Fuck,' 'The Postman,' and 'Know by Heart,' where Mark Smith's skittering drumwork provides the spine for a kinetically downbeat sonic experience, epitomize American Analog Set's penchant for straightforward minimalist elegance. Quote from: AMG What with the scores John Williams has penned for the Star Wars movies and those of Jerry Goldsmith, James Horner, and others for the Star Trek films, you'd think it was settled that the music of science fiction involves grand themes and lush orchestral arrangements reminiscent of European classical music. But Bear McCreary, who has taken on the task of scoring the second television series to be called Battlestar Galactica (a sort of 'next generation' sequel to the 1978 series), has a very different view.
To McCreary, space music can sound like almost any earth-bound style, although he is particularly fond of drums. Martial drums, Burundi-style drums, tympani, marching band drums, you name it, McCreary likes it, and he devotes many of the 30 cues on Battlestar Galactica: Season One (78 minutes culled from over five hours of music heard on the first season of the show) to percussion showcases. But that's not all by a long shot. Determined to demonstrate his mastery of musical styles, McCreary writes faux opera ('Battlestar Operatica'), muzak ('Battlestar Muzaktica'), string quartets ('The Dinner Party'), Celtic music ('Wander My Friends'), and more, bringing in vocalists here and there to sing in Latin, Gaelic, and Italian. Now and then, he also gives us echoey, electronic interludes that actually suggest the science fiction setting of the series. But all of these are just side trips in the main percussion fest that to McCreary is what battlestars should sound like banging around in the great beyond.
In space, it seems, everyone can hear you drum.
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